what’s a friend list without an enemy list, I say. but, anyway, people kept asking why I was such a loser as to not be on myspace, and I kept answering that, hey, I’m not in the sixth grade, but, anyway, went in there finally, looked around, and liked it enough to stay. Click the
and Dana Scully for surgeon general, yeah. really though, just here to post a cleaner version of that Demon Theory banner: [ it may take a bit to load, as it looks like those prior two banners are still down at the bottom of this page, trying to load as well. well, still down there
Just got a note that there’s an article on me in the (Texas Tech) student paper. click on the image below for it. looks like you have to register, maybe, for the second page, though too there’s an e-mail the article option, which may just shoot it straight to you. yet to catch the print-version,
Maybe it’s this way for everybody, I don’t know. Sometimes I’ll stumble across something in a book, anyway, and it’ll just burrow right to the core of me and never leaves. I say sometimes, but, I suppose, I’m only about to list three. And, it’s not that they’re said all that perfect or anything, it’s
click over on the image for the full scoop on the workshop I’m running over at the Cult May 21st – June 21st. thanks to Minuet over at the Cult for it too (the image), which I probably don’t even have permission to be posting here. too, I tried to corral some of my less-confused
Excited that the Savoj Zizek DVD’s going to be available soon. He’s my PKD, since PKD went on extended hiatus. Click on the poster to get to the place Check out the Frank Miller cover for Gravity’s Rainbow. Pretty excellent (thanks to Rob for the heads-up). Click here. (would paste it here, but don’t want
This is the first Demon Theory banner, anyway: [ and no, no clue how to get that animation to restart–‘refresh’ doesn’t seem to do it. anybody know how? ] If you make any more, just stuff them somewhere over at the Velvet, or link me to them through the comments here, or what-/however.
I’d guess this is either posted around somewhere or is about to be, but, anyway, this past weekend I was in Austin, at the Texas Institute of Letters awards banquet, where Bleed Into Me was lucky enough to pull their Jesse Jones Award for fiction. A serious honor. Anyway, if there’s any recordings of the
As some of you may have noticed, come the end of May, I’m doing a fiction workshop over at The Cult. Should be a ball. The theme or focus of push of the workshop’s likely going to have something to do with stories that don’t bore me. Which is to say stories that trade in
or, it’s swag to me, anyway–a gift from the blue. specifically, from Noose, over at the Velvet (Noose of course being the guy who authored the original site this site still owes a lot of its code to). A very cool little animated gif and a whole suite of images. Spooky, I mean. Over to
Another one coming out there, one of my favorite stories of any I’ve ever written. so, to sum up the forthcoming Cemetery Dance stuff: “Raphael,” in #55 (right about to be out–might be out exactly when DEMON THEORY is, really) “Hell on the Homefront Too,” sometime later “Father, Son, Holy Rabbit,” some other time. very
rigged this up in just under 14 days, I think, a while back. I’d just finished reading that graphic novel which I suddenly can’t get the full title of: Thirty Days of Night? vampires, Alaska. lots of brilliant writing. anyway, at the end of the trade pb–not even sure it ever came out single-issue–there’s a
Hey, it’s up. Lots of talk about horror movies and all kinds of other stuff. Click on the image to go there:
All I knew about Pennsylvania before the last couple of days was what I’d read in Pynchon’s Mason & Dixon. It’s the place with those big pretty barns, though; I know that now. Anyway, touched down about four in the afternoon, after getting up at 3:30 to catch the plane out of Lubbock (only got
another story in Cemetery Dance. a zombie-piece. too, if you don’t subscribe to their newsletter, I’d recommend it. if you’re into horror, I mean. lots of the bargains/sales they’re always doing, then intervws and reviews and all that good stuff. an interview on Misnomer. looking like it’ll post there tomorrow. was a blast to do,
Just realized we’re T-minus four weeks on Demon Theory. Usually by now galleys/ARCs would have been floating around, but, gremlins being what they are, we’re holding our breaths for the final copies instead. Which might make it all cooler, even. Still, though, I feel kind of bad about not giving any sneak peaks. So–and yeah,
Next Wednesday at 8:00, I’m in the Foster Auditorium up at Penn State (in State College, PA). Just reading aloud. Not sure what yet, but I’ll have a plane ride to decide, of course . . .
Juked just pasted it up on their very cool walls. ( as for my feelings for time-travel, I think there’s a thread somewhere on the Velvet already. to sum it up here, though: it’s a hard call for me, between time travel and werewolves. and that’s saying more than a lot )
This was a panel from the AWP conference. Think the stardate was 9 March, 2006, about 1:30 in the breathless afternoon. A big room with these draping chandeliers, and some ice cold water in metal pitchers (and, luckily for my whispering self, a mic). The write-up of the panel, from the schedule-thing: Where Genre and
I touched Demon Theory for the final time last Monday, at about six minutes shy of seven in the morning. It’s maybe at the printer’s now. Still an April 13th release, as far as I know. But yeah, people keep asking for galleys, ARCs. The story of that: all the formatting explosions Demon Theory started
Guess I did two readings at AWP this past weekend. Well, two readings and one panel. Of the two readings, anyway, this is the one that happened to get recorded [ the other reading was at the FC2 party; I read “Faberge,” that piece that’s out in Third Coast right now ]. anyway, I forget
A piece I read at AWP, “Lunch,” 32 Poems picked it up. they ran that little “Hansom Is” piece, that used to be posted as a sample on the old site. A long / nother science fiction story, “The Man Who Would Cross Time,” Juked just picked it up. They’re the place that ran that
“The Wages: an Argument” is out now in the current CONTROLLED BURN. also in there’s a BLEED INTO ME review, which kind of just sums up why I even ever wrote the book, and a little five-question interview. kind of like Kilbourne used to do when the Daily Show was his. “Adultery: a Failing Sestina”
“The Meat Tree” in Dogmatica in early April. 11Kwds or so. “The Calorie Doctor” in Sleeping Fish‘s next issue. ~200 wds?
hey, because somebody over at the Velvet asked for it, I dug up an old story I’d wholly forgotten about, sucked it into flash, put it in that little story list to the left, here. I remember writing all these, this ‘office’ series of stories. ‘Amateur Hour’ was in there, as was that ‘Jumpers,’ still
hey, just got a note that that Cult interview’s live. It was my first IM-thing since ICQ debuted, back years and years and years ago. was a blast. Interview
first, the whole event: AWP Conference. next, my part: Thursday March 9th, 10:00 – 10:45: a booksigning for Bleed Into Me. I’d guess this’ll be at the University of Nebraska Press table in whatever big room’s got all the tables/journals/etc. Thursday, March 9th, 12:00 – 1:15: a panel (“A Reading by the Faculty of Texas
“Raphael,” in Cemetery Dance “Jumpers,” in Fresh Boiled Peanuts “Adultery: a Failing Sestina,” Behind the Short Story “The Fatherland is Rich and Varied,” Liquid Ohio (but they’re on hiatus or something…) twenty definitions in Home Ground: a Literary Glossary of the Landscape and Language (Trinity University Press) (Barry Lopez, ed.) also was supposed to have
was paging through a few-months-old notebook and stumbled on this, which I’d copied down from Antonia Quirke’s bfi book on JAWS. brilliant, brilliant stuff: There are two types of monsters. The first is our incarnation of fear. King Kong, Dracula, Godzilla. The other, of which the first sharkless hour of Jaws is a supreme example,
No excuse for it, I’m sure, but somehow I missed BEWITCHED when it was at the theater. I mean, I loved the series–it’s kind of been instrumental to my whole identity-formation-thing (it and I DREAM OF JEANNIE)–but had doubts they’d be able to cast an Esmerelda as good as the original. if I’m getting the
