HorrorTalk
Hey, cool for Mongrels to still be making lists a year+ after: https://www.horrortalk.com/features/8094-steves-horror-favorites-of-2017.html?
Hey, cool for Mongrels to still be making lists a year+ after: https://www.horrortalk.com/features/8094-steves-horror-favorites-of-2017.html?
I very much approve of this level of staging: I did a little bio research on author, Stephen Graham Jones today. Do you look up author bios before you dive into their books? I highly recommend it. pic.twitter.com/KvyHY6yPdR — Sadie Reads Them All (@SadieLouWho) January 15, 2018
We don’t need to look for aliens. They’re here already. And they’re more amazing than we ever guessed. Mind-Blowing Octopus color change 🐙 by IG@rubergnick pic.twitter.com/a5vVSMlBn2 — Nature is Amazing 🌿 (@AMAZlNGNATURE) January 14, 2018
Who knew, right? May have to swing by there next time I’m in Portalandia. No worries, though. “The Elvis Room” is still a ThisIsHorror chapbook, still a short film.
also shoutout to @SGJ72 for writing the best book ive read all year, really since Harry Potter and the Deathly Hallows back in 2007 pic.twitter.com/LmKZ2nrZuR — Nick Cricket (@PeckTheEagles) December 31, 2017
In the shiny new Automata Review: https://automatareview.com/why-i-write-stephen-graham-jones
That Racconti edizioni got together in anticipation of . . .  something else about to happen in Italy:
( the names here are ABOVE the answers ) A Q&A about inspirations for Mad Hatters and March Hares
https://outinprintblog.wordpress.com/2017/12/07/unspeakable-horror-2-abominations-of-desire-vince-a-liaguno-ed-evil-jester-press/Â
First story of the year on the first new day of the year. Maybe someday I’ll have a story every DAY of the year. Well, cumulative anyway. Think I’m pushing three hundred published so far. Now plus one more: http://gamut.online/node/345
For the first time ever, I kept a running tab of the best of every month: for January February March April May June July August September October November December It’s not everything I read/watch/listened to. Just the stuff I dug. And? I had this big idea that I’d peel back through all those, dither and
Feel like I’m posting this too early, as I might get blown away by some movie X over the next five days. But I’ve got ten minutes right now, can get these down and in order, I think—with the caveat that I’ve yet to see Hounds of Love or Raw or Prevenge or Super Dark
Hey, the audiobook of Mongrels is in Audible’s 2-for-1 sale for the next few days, looks like: Click here for it
Story called “Alis” in the obvious one, and a story about this demon Asmodeus in the other: And, a certain homo naledi story off mine lucked into this: https://featuredfutures.wordpress.com/2017/12/10/webs-best-science-fiction-1-2017-stories/ And, here’s a cool write-up of “Universal Horror”: https://nicklasalla.blogspot.com/2017/12/its-at-the-front-door-review-of-universal-horror-stephen-graham-jones.html
I mean, first, yeah, loved it, clapped at the end, c’mon: of course. Â Best part? All the younguns in the audience laughing and talking to the screen. New hope indeed. Second, couple of good links: http://terribleminds.com/ramble/2017/12/18/the-last-jedi-a-mirror-slowly-cracking/ https://theconcourse.deadspin.com/a-list-of-some-of-the-times-the-last-jedi-told-the-olde-1821396631?
You can maybe tell which book this one’s on, over at Unnerving: http://www.unnervingmagazine.com/single-post/2017/12/06/Review-of-Last-Final-Girl-by-Stephen-Graham-Jones  And then here’s a twofer over at Transmotion, for which Theo Van Alst and Billy J. Stratton actually deserve the credit: https://journals.kent.ac.uk/index.php/transmotion/article/view/434/1144 Speaking of them/Transmotion, this is in that same issue: “Consuming, Incarcerating, and “Transmoting” Misery: Border Practice in Vizenor’s Bearheart
New interview up: https://superstitionreview.asu.edu/issue20/interviews/stephenjones
Check it out: So cool. I mean, I know: my critical faculties are supposed to be rendered helpless from the surprise of seeing the yellow book drawn like this, but? That’s not why I like this comic book. Why I like this comic book is that it’s good comic-booking. Pablo D’Stair knows the medium, knows