“In the Beginning” and “The Wages: an Argument,” over at the brand-new shiny sparkly SpringGun Press. Really strange that they posted this morning, though — or, that that Wages-one’s real now anyway. Because I just now started the already-excellent Pontypool Changes Everything, which opens like this: That night I had terrible dreams I was killing […]
One of my favorite Bowie songs, sure, but, too, the name of a story of mine up over at Everyday Genius today.
Iron Horse 11.3‘s out in the world now — in my mailbox anyway — and it’s got one of my favorite stories I’ve written in it, “Little Lambs.” Also a self-interview (it involved telepathic dogs, possibly aliens — the usual?). Too, it’s the alumni issue, so it’s especially cool to me, being in this with
Readercon report: got to sit down with Ellen Datlow, got to shake hands with Peter Straub, got to listen to Samuel Delaney and Gene Wolf talk, got to be on a panel with John Crowley, got to hang with friends new and old — Paul Tremblay, Laird Barron, Michael Cisco — bought so many Weird
Which is to say, three new stories, “Piano Theif” and “Because My Therapist Asked Me to Tell a Story Using Hamsters,” each over at the July Hobart, and “Close Encounters,” up now at 365 Tomorrows. Also, “Endless Buffets” is in the current Western Humanities Review. And, hitting the shelves at Readercon in a week here,
First story, “Monsters,” with Niteblade. A nice little ‘What I did this summer’-story. Or, ‘What I did this summer and who-all died,’ kind of, I suppose. Second story, in the “Broken Clocks” issue of ColoredChalk, “Good Times.” It goes maybe three hunrdred words? Not even that, likely. Things take a pretty sharp turn down some
Looks like The Long Trial of Nolan Dugatti‘s up for a Shirley Jackson award (!, yep). Here’s the field: NOVELLA Disquiet, Julia Leigh, (Penguin/ Hamish Hamilton) “Dormitory,” Yoko Ogawa (The Diving Pool, Picador) Living With the Dead, Darrell Schweitzer (PS Publishing) The Long Trial of Nolan Dugatti, Stephen Graham Jones (Chiasmus Press) “N,” Stephen King,
Got a new story up over there, “How Billy Hansen Destroyed the Planet Earth, and Everyone on It.” A happy little piece. Only six or seven billion people die, I mean. So, click here to get there.
— my AWP Chicago events this week (two readings, one panel, a meet-up*, one screening**) : Wednesday the 11th, 6:00, Chiasmus Press Reading and Party , Barbara’s Bookstore, 1218 South Halsted Street; no clue what I’ll read, but likely something from Dugatti Thursday the 12th, 7:00, FC2 Reading and Reception, Curtiss Hall, 10th floor of
http://www.awpwriter.org/conference/2009offsite.php (W & Th nights) http://www.awpwriter.org/conference/2009schedFri.php (12:00 – 1:15 Friday) Twin Wells
Can’t imagine what chance I really have here, against who-all I’m up against, but “Captain’s Lament” (from Clarkesworld) is shortlisted for a Black Quill over at Darkscribe. Register and vote? Not necessarily for me, but, y’know, for the best story. As for links for others : –Paul Tremblay’s “The Blog at the End of the
New story up over there, “These Amber Waves of Grain”. Good company. I wrote it the same sitting almost with that “‘Tis the Season,” in Passages North. And with one I always forget to try to get published, about an archery accident / nipplebotomy (or, not -botomy, yeah, but I don’t know the right-sounding suffix
Just two more things: — got a piece (interview, not fiction) up at CU’s InPrint — got a story coming out in Colored Chalk 5 anyway, see some of you in Portland.
Links, that is: — in the mail today, the French version of Native Storiers. Five stories from Bleed Into Me in it. — the flyer for Wednesday in Portland. Which I really thought I’d linked already, but the world’s a confusing place . . . Anyway, hopefully HEROES and TERMINATOR are both new tonight. Just
Don’t know if everybody’s been keeping up, but over at Popmatters Marco Lanzagorta (of the never uncool “Dread Reckoning“) has been doing a Night of the Living Dead fortieth anniversay essay collection the last five days. Some ridiculously cool stuff, including a little intro from Romero. Anyway, got a piece up there today, as a
Texas Monthly‘s been doing this serial novel, TWIN WELLS. I’ve got chapter 11. Podcast too. Here. First line: “Baldwin wished he could have mustered a bit more surprise when the dead man rose from the road in the sheriff’s headlights.” New interview up at Rain Taxi. And a third link too: I’m on Facebook now,
It’s by Roger Ebert, in his review for Nights in Rodanthe: “Paul doesn’t evacuate because of some dialogue he is made to say.” I don’t see how I could love anything more than that. It’s even better in context, too. And, as for why I was reading about Nights in Rodanthe. No idea. I was
I’m there tomorrow night, Family Guy* territory. Reading stuff aloud. Maybe eating a cookie or two, answering questions. Here for more specific type of info. Too, thanks to my students, I’m now hooked into Salad Fingers. Better late than never, I figure. ____________________________________________ * which I’ve still yet to ever see an episode of —
Though, to be honest, I don’t even think there’s links yet for just all of this: Right before Valentine’s Day 2009, I’m in Chicago for the AWP Conference. The panel I’m on: “Digi-Analog: Bringing Together Print, Online, and Alternative Delivery Methods for Literary Journals, led by JW Wang. You may know him from Juked.” Don’t
Over at Internet Review of Science Fiction. A close read by JG Stinson. Very cool. So glad that book’s still reaching people. Too, The Long Trial of Nolan Dugatti‘s not only slipping through Amazon early. It’s over at Small Press Distribution as well. And, and: Joe Lansdale‘s got a new one, Leather Maiden. He’s a
A TG Sheppard line*, yeah. That and Elvis’s “Kentucky Rain“** make up a whole eight or ten month block of my . . . not childhood, but that’s when I listened to them most. ‘Life,’ I guess. Which is pretty much the complete opposite of the story just out here: An interview and a Demon
Who knew, yeah? Looks like it’s out loud now, anyway, here, and here, etc. And no, no clue how or if the footnotes were handled, or if, when they were or weren’t handled, it was as endnotes that they were or weren’t handled (that is, if the audio’s working off the paperback or cloth version).
1. Just got a story, “Lonegan’s Luck,” accepted by New Genre. Like most stories if you peel them back far enough, this one, too, is a zombie western. Nearly forty pages of it. 2. Doomsday opens tomorrow. Very excited. Looks like all the elements I look for in high-calibre, life-altering cinema, they’re here. Which is
