The Elvis Room is now a bar
Who knew, right? May have to swing by there next time I’m in Portalandia. No worries, though. “The Elvis Room” is still a ThisIsHorror chapbook, still a short film.
Who knew, right? May have to swing by there next time I’m in Portalandia. No worries, though. “The Elvis Room” is still a ThisIsHorror chapbook, still a short film.
also shoutout to @SGJ72 for writing the best book ive read all year, really since Harry Potter and the Deathly Hallows back in 2007 pic.twitter.com/LmKZ2nrZuR — Nick Cricket (@PeckTheEagles) December 31, 2017
In the shiny new Automata Review: https://automatareview.com/why-i-write-stephen-graham-jones
That Racconti edizioni got together in anticipation of . . .  something else about to happen in Italy:
( the names here are ABOVE the answers ) A Q&A about inspirations for Mad Hatters and March Hares
https://outinprintblog.wordpress.com/2017/12/07/unspeakable-horror-2-abominations-of-desire-vince-a-liaguno-ed-evil-jester-press/Â
First story of the year on the first new day of the year. Maybe someday I’ll have a story every DAY of the year. Well, cumulative anyway. Think I’m pushing three hundred published so far. Now plus one more: http://gamut.online/node/345
For the first time ever, I kept a running tab of the best of every month: for January February March April May June July August September October November December It’s not everything I read/watch/listened to. Just the stuff I dug. And? I had this big idea that I’d peel back through all those, dither and
Feel like I’m posting this too early, as I might get blown away by some movie X over the next five days. But I’ve got ten minutes right now, can get these down and in order, I think—with the caveat that I’ve yet to see Hounds of Love or Raw or Prevenge or Super Dark
Hey, the audiobook of Mongrels is in Audible’s 2-for-1 sale for the next few days, looks like: Click here for it
Story called “Alis” in the obvious one, and a story about this demon Asmodeus in the other: And, a certain homo naledi story off mine lucked into this: https://featuredfutures.wordpress.com/2017/12/10/webs-best-science-fiction-1-2017-stories/ And, here’s a cool write-up of “Universal Horror”: https://nicklasalla.blogspot.com/2017/12/its-at-the-front-door-review-of-universal-horror-stephen-graham-jones.html
I mean, first, yeah, loved it, clapped at the end, c’mon: of course. Â Best part? All the younguns in the audience laughing and talking to the screen. New hope indeed. Second, couple of good links: http://terribleminds.com/ramble/2017/12/18/the-last-jedi-a-mirror-slowly-cracking/ https://theconcourse.deadspin.com/a-list-of-some-of-the-times-the-last-jedi-told-the-olde-1821396631?
You can maybe tell which book this one’s on, over at Unnerving: http://www.unnervingmagazine.com/single-post/2017/12/06/Review-of-Last-Final-Girl-by-Stephen-Graham-Jones  And then here’s a twofer over at Transmotion, for which Theo Van Alst and Billy J. Stratton actually deserve the credit: https://journals.kent.ac.uk/index.php/transmotion/article/view/434/1144 Speaking of them/Transmotion, this is in that same issue: “Consuming, Incarcerating, and “Transmoting” Misery: Border Practice in Vizenor’s Bearheart
New interview up: https://superstitionreview.asu.edu/issue20/interviews/stephenjones
Check it out: So cool. I mean, I know: my critical faculties are supposed to be rendered helpless from the surprise of seeing the yellow book drawn like this, but? That’s not why I like this comic book. Why I like this comic book is that it’s good comic-booking. Pablo D’Stair knows the medium, knows
This is what writing is: you throw a lot of stupid stuff at a wall, then see what sticks. And you never really understand it enough to do it like that again, and, meanwhile, people say it means this and that, and for reasons you can’t figure out, the story lasts, even though it was
I know, I know: this ever really HAPPENED? Apparently so. This isn’t some Mandela Effect thing, and we’re nowhere near April. Not sure how I never knew about this, but glad I do know. And, yeah, the song here’s maybe a little guitar-shy, but still, the video’s nothing but fun: I found it in this
This is a key sub-thing in a novel I just wrote: The Venus of Brassempouy is one of the earliest representations of the human face. It was sculpted in mammoth ivory about 25,000 years ago in southwest France. Since its discovery in 1894, there has been much debate about the sex and whether he/she is