first, the whole event: AWP Conference. next, my part: Thursday March 9th, 10:00 – 10:45: a booksigning for Bleed Into Me. I’d guess this’ll be at the University of Nebraska Press table in whatever big room’s got all the tables/journals/etc. Thursday, March 9th, 12:00 – 1:15: a panel (“A Reading by the Faculty of Texas […]
“Raphael,” in Cemetery Dance “Jumpers,” in Fresh Boiled Peanuts “Adultery: a Failing Sestina,” Behind the Short Story “The Fatherland is Rich and Varied,” Liquid Ohio (but they’re on hiatus or something…) twenty definitions in Home Ground: a Literary Glossary of the Landscape and Language (Trinity University Press) (Barry Lopez, ed.) also was supposed to have
was paging through a few-months-old notebook and stumbled on this, which I’d copied down from Antonia Quirke’s bfi book on JAWS. brilliant, brilliant stuff: There are two types of monsters. The first is our incarnation of fear. King Kong, Dracula, Godzilla. The other, of which the first sharkless hour of Jaws is a supreme example,
No excuse for it, I’m sure, but somehow I missed BEWITCHED when it was at the theater. I mean, I loved the series–it’s kind of been instrumental to my whole identity-formation-thing (it and I DREAM OF JEANNIE)–but had doubts they’d be able to cast an Esmerelda as good as the original. if I’m getting the
hey, just realized that maybe all of you (or, one of you, or, hi mom, I don’t know) didn’t have the cool MacAdam/Cage catalog like I do. so I stuffed the Demon Theory pages in the scanner, which was a lot more complicated than I’d anticipated, the catalog being oversized, but, after I got everything
if you click somewhere and, I don’t know, something bad or unexpected happens, or if you’re having trouble with some form, with display in some browser, anything along those lines, put a comment down under this if you want, please. We’ll try to get on it (where ‘we’ = ‘I’).
IS THIS SITE OFFICIAL? see the Author faq. I DIDN’T TYPE IN ‘DEMONTHEORY.NET,’ YET THAT’S WHAT’S IN MY ADDRESS BAR. still playing with that, when I can remember to. have ‘stephengrahamjones.net’ and ‘stephengrahamjones.com’ writing themselves over ‘stephengrahamjones.com’ for a while, if that’s the link you clicked to get here. but yeah, the three domains/URLs/addresses: they
Hysteria Lives has a clip of The Burning, that cool kill-scene on the raft. Just click here, scroll down a bit. Too, Cheesebrothers has an audio snippet of that excellent song from the end of Don’t Go Into the Woods: go there (mp3 link’s down at the bottom, after the rvw).
The first is central to Seven Spanish Angels, the second kind of prescient to Demon Theory: [ click them for the larger img ] That monkeys-img is thanks to a reader. the cite on it, I think, is: by Massimo Carnivale. it’s the cover for the 40th issue of that Y the Last Man comic
read enough stuff, you can’t help but start keeping lists. this is mine: https://www.stephengrahamjones.com/wp-admin/excl/manifesto.swf [ it’s a link now, because I made this with Flash, like 76 years ago, and Flash is tricky to embed in this WordPress that Flash never even dreamed of . . . ] I’ll probably keep adding to it, yeah. one thing
[ all the entries and posts and pages &etc below this timestamp are wrong. just all stuff I copied over from the old/other site. so, yeah, I could go into the mySQL table(s), rig the times to some approximation of what they are, or were, but, too, I kind of like the idea of all
I don’t write essays, but, anyway, been meaning to for a couple of years now. planned subject: all the fake throwing up in movies. it’s so insulting to me when the character leans over and hurls up some obvious mouthful of soup or something. their sides hardly contracting in dry heaves, none of that. maybe
On a sad note, SciFiction is a gone thing. Of course, wherever Ellen Datlow lands next will be the new hot spot for speculative stuff. Just hope the wait isn’t too long. My selfish reason for being sad, of course, is that I cut my teeth on OMNI’s fiction* back in the 80’s. Which is
Instead of typing in all the volume and issue number stuff, instead each cover is just linked to its high-res scan, which has all the good info on it. Hover your mouse over the covers to see which story’s where. stuff you might see be seeing on the shelf now: stuff you’d have to order
The video of the panel is live. It runs close to an hour, but well worth it, lots of good stuff talked about by all of the authors. Too, thanks to my brother for the steady hand as he filmed most of it, and when it shakes and your stomach is sick, blame me, sorry,
It’s in a couple of places from a couple of different cameras. Thanks to Marcus J. Weekley for the steady hand on the camera, and to Chad and James for rigging up the podium-cam (which seems to have ten or eleven minutes of dead-air up front, sorry). They’re both supposed to be streaming, anyway. mp3
instead of thumbnails, which would be prettier, just some links, bullet-style, cause I’ve got no time here: Austin Statesman Reader (I think this is the one with the title I dig) NYT [1] NYT [2] Houston Chronicle Austin Chronicle, 4 parts: 1 – 2 – 3 – 4
I can only remember two–the first-first glimmerings of BIRD & FAST, then the full glossary for BIRD (okay: there were two novellas as well, but they’re gone, now, sorry). That FAST piece, I wrote it deep in the morning, after having just lied to an editor at a party that I’d finished the novel already.
Early, scary stuff here. All of it right about fifteen years old. Not sure how I ever learned to write, really. Just that I had to. Included: “The Parrot Man,” which has a scene in it I’ve still yet to stop trying to tell; “West Texas Dirt,” which got me my first-ever fiction award, and
So, yeah, I’m on a desert island, can only have ten books. A strange, impractical set-up—that the dungeon master here can assume I’d grab a round number of books instead of a two-way radio or a knife—but so be it. I’m there. I can only have ten books. Which is a lot like punishment, but,
Or, really, just all of R.M. Berry’s stuff. It starts with Plane Geometry and Other Affairs of the Heart, ramps up to Leonardo’s Horse, then hits with The Dictionary of Modern Anguish. Each brilliant. His short story “Metempsychosis” has been, along with VALIS and COL49 [The Crying of Lot 49], probably the most influential, for
first Texas Monthly interview second Texas Monthly interview Hub Stuff Interview Lubbock newspaper interview
