Just in time for late Christmas: reprint over at Nightmare. Originally showed up in October Dreams II, then in Best Horror of the Year 8. And . . . I kind of have a memory of hearing someone do the audio for this, too—read it out loud. Can’t remember where or when, though. Just that […]
Available now, wherever you get your audio novels. Narrated by Eric G. Dove, of . . . man, check it out: lot of stuff. And now a latterday slasher:
Will be falling on Mongrels, before too long. Screencapped this one out to nab birdland’s ‘the basic gist-of’ translation:
I mean, pretty much there’s two kinds of slashers, yes? Not talking “Excellent” and “Trying to Cash In” here, but “Straightforward” and . . . “Playing with the Genre,” I guess you could say? Which, of course Scream didn’t start, as in, it wasn’t first-first—the Golden Age was more self-aware than we give it credit
Just re-re-watched this one, and, wow, holy everything, Batman, this is STILL my favorite horror movie of the year. By miles. Really? It’s the best slasher I can think of since . . . Happy Death Day, yeah. Which was far and away the best since . . . You’re Next, maybe? And before that it’d
This is as solid a piece of film writing that I’ve seen for a while. Solid stuff. And, I imagine it’s on point? That its analysis and sort-of conclusions are spot-on-ish? I haven’t seen the film, I mean. Don’t think I’ve seen any Lars Von Trier, actually. People always tell me Anthichrist can kind of
Seems I saw something along these lines circulating on social media. Trick is, I never fill in that form when it’s being passed around, as it always feels like I’m just fine-tuning my consumer profile so the social media outfit can sell me out at a higher price, when I’m sure my least mouse-swipe and
My 2006 novel, not this site. Excited (terrified also) to cue it up. Always good, listening to Livius and Robb:
I remember not long after House of Leaves came out, with Lethem’s way cool blurb on back, that there was an article or interview somewhere, where he (Lethem) was saying his agent was making him not do blurbs for six months or a year. Just because he, being him, wanted to do them all, of
I used to screencap these into the monthly best-of posts, but when I started doing those as galleries they ended up getting shrunk to illegibility, so I lazily & loserly gave up. So, this is me trying to reverse that: the best articles I’ve been reading, that I can A) still clearly rememberer, and B)
Way back. First two seem to pretty much be ‘fun with effects’/let’s see what we can do. But Frankenstein, man, there’s a lot of horror seeds getting planted there, that are still blooming all these years later. 1896 1908 1910
Not sure why, but I’ve been stashing these as I stumble onto them. Will add more as I find them, probably. They’re kind of cool. The Darnielle is more like the actual iridescent tape from a VHS, but still, it’s kind of on the same shelf: And, guess this is kind of the same? Taking
Hey, Tattered Cover (Colfax) has a green room now! So cool. Anyway, was a good time, answering questions about Mechanical Animals with Selena Chambers, Jason Heller (editors of this), Molly Tanzer, and Carrie Vaughn. Really, Molly and Carrie and me, we’re on stage so much together we’ve pretty much got a routine, by now. And
Neither actually new, but both getting to me yesterday: Sovereign Traces has a piece of Mongrels in it, courtesy of the amazing Delicia Williams (artist), and Fortune Smiles I already read, of course, and really dug—one of the stand-out collections from recent, or any, years—but got to hang with Adam some last night, thanks to
