Just a quick note that Home Ground: Language for an American Landscape, edited by Barry Lopez is out. I have either twenty or twenty-one definitions in it, can’t recall (twenty-one, I think, which may be the most, who knows — my copy’s loaned out already). Anyway, click the pic to go to Amazon’s page. Also, […]
The schedule just posted for the Texas Book Festival, and it looks like I’m on two panels: 11:30 – 12:30, Capitol Extension Room E2.026: “Literary Fiction: Texas Rising Stars?” With Ben Fountain, Dao Strom, and Dominic Smith, and Patrick Beach moderating. (DEMON THEORY) 3:00 – 4:00, Capitol Extension Room E2.010: “Writers League of Texas Presents
Very cool review, from one of the hottest places for horror. click the image to go to the place.
Thanks to Judy Wilson and Anthony Neil Smith for a cool time — great Q&A in the afternoon, fun reading that night, and lots of books signed. And thanks to Elli for FW’ing that pic, above; all the trophies, of course, are what I won for reading, just in the space of sixty minutes or
Was reading over a novel I’m about to submit, and kind of just mentally ticking off the things I was going to be writing ‘stet’ by after the copy editor and proofreader have had a go at it (assuming a lot here, I know, but hope springs, all that), so figured it’d maybe just be
Just a note to say, yep, it’s all different now. Got tired of the red and black stuff, just washed it all out grey and white. it looks like it should in Firefox, but I’m thinking that, in IE or IE-driven stuff, the “em”-size CSS is going to get ignored, kind of throwing off some
if someone at a party gets some kind of news that makes them drop what they’re drinking, the glass won’t shatter if two people are fighting and one of them has a pistol, then that person with the pistol will win. Which is to say we won’t have to have that shot of the gun
First, as this is just all about the end of THE DESCENT, then, yep, it’s just chock full of spoilers. So stop here if: you’ve not seen it you’re going to see it and you don’t like to know how a thing’s going to end Not meaning to say THE DESCENT has a gimmick-ending or
So on the radio the other day I heard a song that took me right back to the second grade–The Gatlin Brothers’ “All the Gold in California.” Some excellent stuff. But it got me thinking about what all else I used to listen to about that time. Up until the fifth grade, anyway. I mean,
Just finished writing the novel I started the day that Cult workshop went over (21 June; really I finished Friday night, I suppose, just before Monk). It Came from Del Rio. Nothing but fun. Planned to go no more than 240 pages, and then just went 285, which is something of a record for me,
Shocklines is selling some autographed copies of Demon Theory. Click the image to go to the page. Also check out their forums. Between them and DreadCentral, if you can’t get your horror fix, then it could be that you’ve got a pretty serious little habit there, and might want to look into some rehab, possibly
I got word that two are just out, in the mail to me and more or less available, and one’s shipping next week: “The Calorie Doctor,” in Sleeping Fish “Jumpers,” in Fresh Boiled Peanuts and, next week, “Raphael,” in Cemetery Dance #55 (have two more already placed with them as well–“Hell on the Homefront Too”
Just finished Charles McCarry’s OLD BOYS, which, like the rest of the Paul Christopher series, just absolutely blew me away. The guy’s not just a good storyteller, he hammers his prose, too. Usually you get one or the other. A sample line: She had the wary unwavering eyes of a woman who knew how attractive
Finally rigged it up, here. It’s in Javascript, so hopefully your browser’s got that turned on. No cookies, though. And, the only possible glitch I can see, really, aside from not knowing the answers, is that if you’ve got your screen-resolution set too low, then things might get a little bit hinky. Which is the
like I haven’t done this with every banner etc. but, anyway, yep, polished the trailer up in a few ways, and it’s here now: http://www.youtube.com/watch?v=7aVhs-0b5vE I’m leaving the old one up as well, though, for those who might have preferred it. too, am going to do one more thing (talking digiswag) for Demon Theory as
well, okay, Pinhead’s maybe not a true and classic slasher. but he’s got the look, anyway, and has been pretty vital to this project we call horror. was going to synch some music up with this, but have no clue how, without going the Flash-route. anyway, the bigger version’s here. as to why I killed
I don’t know anybody who’s got their Demon Theory from Amazon or Barnes & Noble yet, but, as of today they’re both showing it’s available, or, available-ish, anyway. And, I mean, if they’re selling it, it must be real, yeah? Exist in what we all agree is an objective reality? That is, it’s not just
Just because I don’t write reviews anymore. Just because they seem to use the same part of my brain I use to write. Anyway, The Omen: a remake in a year of remakes, yeah. Not quite as ‘reinterpretive’ as When a Stranger Calls and not quite as ‘faithful’ as Psycho, but, too, I’m not yet
quickest of quick notes: new essay up at The Cult. On revision, of all unlikely things. I mean, of all unlikely things for me to be writing about. Anyway, it’s here. and, nope, no new DEMON THEORY news in the last few, sweltering, basketball-playing, story-workshopping, dog-tying-up-only-to-have-it-chew-through-the-rope, Daily Show watching hours.
never at a loss for stuff to read. if I could just shoehorn one more syllable in there, it’d scan pretty cool, I think. what little I know or can take a stab at talking lines. anyway, yesterday afternoon’s library haul (this doesn’t count the ninety-plus I already have checked out, on my shelf, which
Finished copies exist, are real, are in the mail now. If I had the skills, I’d rework some of those gas-shortage pics from the late seventies, of all the cars lined up, only I’d put a big DEMON THEORY in place of the pump. or maybe pirate one of those Body Axe commercials, re-edit it
ARTS & LETTERS just picked up my “The Vanity of Open Spaces” for sometime in 2007. Cool place. Excited to have that story with them. Click their image here to go to their place:
Another BLEED INTO ME review. Montana Magazine. Here. This, from up front in Amy Taubin’s BFI book on TAXI DRIVER: Really, it is not violence at all which is the ‘point’ of the western movie, but a certain image of man, a style, which expresses itself most clearly in violence. Watch a child with his
Not talking that Gershon/Tilly movie from a while back, though nothing against it either. Instead, DEMON THEORY. If you listen close, and if you happen to live right next door to MacAdam/Cage’s printer, then you can maybe hear it getting bound. Anyway, that’s the word I get, which I’m guessing I can announce: DEMON THEORY‘s
