Not sure why, but I’ve been stashing these as I stumble onto them. Will add more as I find them, probably. They’re kind of cool. The Darnielle is more like the actual iridescent tape from a VHS, but still, it’s kind of on the same shelf: And, guess this is kind of the same? Taking […]
Neither actually new, but both getting to me yesterday: Sovereign Traces has a piece of Mongrels in it, courtesy of the amazing Delicia Williams (artist), and Fortune Smiles I already read, of course, and really dug—one of the stand-out collections from recent, or any, years—but got to hang with Adam some last night, thanks to
that “Herpes of the Heart” story: http://the-toast.net/2015/05/29/herpes-heart-short-story/ that comic strip: http://overcompensating.com/oc/index.php?comic=1243
“J.J. FTW” at Yale Review “Greased Lightning” at Pidgeonholes Well, I mean, aside from pretty much ever story in Cat Valente’s The Future is Blue. Especially and forever “Planet Lion.” That story’s right up there with Peter Watts’ “The Things,” for me.Â
Doesn’t feel like it. To me these stories are stil churning in my head. Thanks, Richard.Â
Man, looks like I’m just embedding tweets here all day—I did just wrap an extensive novel rewrite about five minutes ago—but, here’s another one, a good one, an important one: Dear person who decided to upload an e-ARC of THE GIRL IN THE GREEN SILK GOWN to an illegal download site more than a week
Stumbled onto this Vamp poster on Twitter, which got me thinking of The Howling novel cover, and now I’m just wishing there were covers as good for any version of The Mummy. There’s wonderful amazing stuff in places like this or this or this, but, man, for me, it’s when the art and the title combine
Every year when I cobble together some best-of-the-year list from half-remembered this and that, I always end up remembering stuff from the last few months instead of the whole year, and feeling like that’s all unfair. So, in an effort to work around that, and trusting that I actually come back and LOOK at this in five months, but mostly because I’m just now thinking of it, here’s my favorites so far:
[ I keep forgetting to do these the day-of. So, at least this one’s the week-of . . . ] Â Â Â Â Â Â Â
It’s Becky Spratford, star librarian, laying down all the horror: https://reviews.libraryjournal.com/2018/06/best-of/best-genre/fear-not-genre-spotlight-horror/
https://www.tor.com/2018/06/27/five-indigenous-speculative-fiction-authors-you-should-be-reading/
Though, I’m not super sure that’s an exact-proper use of ‘redux.’ Anyway, if you click the pic, or the link below, you can then click a link in that cool post—it’s star librarian and horror champion Becky Spratford—and then click BACK to here. It’ll make sense once you see: http://raforall.blogspot.com/2018/06/author-stephen-graham-jones-captures.html
[ late with this one, oops—been in California since the end of May, and am evidently not thinking much . . . ]   Â
Ken Greenhall’s Elizabeth, which is a-a-a-a-amazing. https://www.ladiesofthefright.com/podcast/2018/5/29/lotf-11-elizabeth-discussion-with-guest-host-stephen-graham-jones
First two books I bought this morning, just out today: These are two of my by-far favorite writers. Excited. And, just read the first two Longmire books—missing the television series—and, man, Craig Johnson, he can flat out write. If you scratch the names off the covers, I couldn’t tell him and James Lee Burke apart.
This is kind of the music-only equivalent of Ultimate Showdown of Ultimate Destiny, yes? Just got word that I can finally share my rejected theme song from @readyplayerone. They went with Alan Silvestri’s theme, but I still want to thank Steven Spielberg & @WarnerBrosEnt for the wonderful opportunity. pic.twitter.com/aK32ZOUA16 — demi adejuyigbe (@electrolemon) March
One of the better threads I’ve lucked onto in birdland: Today in pulp I look back at one of the most popular paperback genres of all time, now all but forgotten about. This is the story of gothic romance… pic.twitter.com/W8d6mmNX9Z — Pulp Librarian (@PulpLibrarian) February 17, 2018
Man, seems forever now that when interviewers ask me why we keep telling each other scary stories, I always say it’s because we evolved to need horror, because we expect teeth in the night, we’re hardwired for it, horror just lets us feel human, but now, finally, thank you, someone smart’s saying that, and with
Who knew, right? May have to swing by there next time I’m in Portalandia. No worries, though. “The Elvis Room” is still a ThisIsHorror chapbook, still a short film.
For the first time ever, I kept a running tab of the best of every month: for January February March April May June July August September October November December It’s not everything I read/watch/listened to. Just the stuff I dug. And? I had this big idea that I’d peel back through all those, dither and
