Death Boobs, or Why I Read Christopher Moore

Well, I mean, yeah, because he’s got titles like THE LUST LIZARD OF MELANCHOLY COVE and PRACTICAL DEMONKEEPING. These are what originally got me peeling his books up from the shelves back whenever ago. Years already, I guess. Too, though, I’ve yet to read a CMoore book that hasn’t made me smile, and then impressed […]

Zombie Sharks in Juked #4

JUKED #4 (print) is out. Just showed up in my mailbox today. Very pretty. In there with a couple of people I know, even: Alan Rossi and Patrick Whitfill. The story is that “Zombie Sharks with Metal Teeth”-one. A story about a man and his mouse. Which, that’s not figurative language there, though I guess

Open Letter to Publisher X

Editor Y: In today’s trend-oriented publishing climate, you need to either be the celebrity-of-the-moment or you need to have a bulletproof plan to plug into what’s hot, what’s guaranteed, what there’s already an audience for. And, sir/madam/etc., that you don’t already know my name from the tabloids should suggest that, while not infamous for killing

Demon Theory footnote #522 (or so)

Of all the footnotes I cut from DEMON THEORY, there’s an OLIVER TWIST / ANIMAL HOUSE one that I maybe miss the most. There was this fun, ceramic-pig oriented Pynchon-one too though, I suppose, which scuttled through PLAYBOY and I forget all-where. And more and more. This, though, it’s one that I never actually put

Demon Theory meets Reanimator

Which is a fancy stupid way of saying that DEMON THEORY‘s back on Amazon, thanks to Melanie at MacAdam/Cage. not quite searchable yet, but there again, anyway, mostly alive. So, to everyone who’s been asking why the world hates them and me this much, as to bury the book in a database: we’re the favored

Home Ground

Just a quick note that Home Ground: Language for an American Landscape, edited by Barry Lopez is out. I have either twenty or twenty-one definitions in it, can’t recall (twenty-one, I think, which may be the most, who knows — my copy’s loaned out already). Anyway, click the pic to go to Amazon’s page. Also,

Texas Book Festival

The schedule just posted for the Texas Book Festival, and it looks like I’m on two panels: 11:30 – 12:30, Capitol Extension Room E2.026: “Literary Fiction: Texas Rising Stars?” With Ben Fountain, Dao Strom, and Dominic Smith, and Patrick Beach moderating. (DEMON THEORY) 3:00 – 4:00, Capitol Extension Room E2.010: “Writers League of Texas Presents

The Minnesota Report

Thanks to Judy Wilson and Anthony Neil Smith for a cool time — great Q&A in the afternoon, fun reading that night, and lots of books signed. And thanks to Elli for FW’ing that pic, above; all the trophies, of course, are what I won for reading, just in the space of sixty minutes or

Against the Stet

Was reading over a novel I’m about to submit, and kind of just mentally ticking off the things I was going to be writing ‘stet’ by after the copy editor and proofreader have had a go at it (assuming a lot here, I know, but hope springs, all that), so figured it’d maybe just be

Site updates

Just a note to say, yep, it’s all different now. Got tired of the red and black stuff, just washed it all out grey and white. it looks like it should in Firefox, but I’m thinking that, in IE or IE-driven stuff, the “em”-size CSS is going to get ignored, kind of throwing off some

In my movie, should anybody ever let me make one:

if someone at a party gets some kind of news that makes them drop what they’re drinking, the glass won’t shatter if two people are fighting and one of them has a pistol, then that person with the pistol will win. Which is to say we won’t have to have that shot of the gun

A Sense of an Ending in THE DESCENT

First, as this is just all about the end of THE DESCENT, then, yep, it’s just chock full of spoilers. So stop here if: you’ve not seen it you’re going to see it and you don’t like to know how a thing’s going to end Not meaning to say THE DESCENT has a gimmick-ending or

All the Music I Still Wear on My Sleeve

So on the radio the other day I heard a song that took me right back to the second grade–The Gatlin Brothers’ “All the Gold in California.” Some excellent stuff. But it got me thinking about what all else I used to listen to about that time. Up until the fifth grade, anyway. I mean,

In other news . . .

Just finished writing the novel I started the day that Cult workshop went over (21 June; really I finished Friday night, I suppose, just before Monk). It Came from Del Rio. Nothing but fun. Planned to go no more than 240 pages, and then just went 285, which is something of a record for me,

Demon Theory updates

Shocklines is selling some autographed copies of Demon Theory. Click the image to go to the page. Also check out their forums. Between them and DreadCentral, if you can’t get your horror fix, then it could be that you’ve got a pretty serious little habit there, and might want to look into some rehab, possibly

Mag Pubs Update

I got word that two are just out, in the mail to me and more or less available, and one’s shipping next week: “The Calorie Doctor,” in Sleeping Fish “Jumpers,” in Fresh Boiled Peanuts and, next week, “Raphael,” in Cemetery Dance #55 (have two more already placed with them as well–“Hell on the Homefront Too”

Charles McCarry

Just finished Charles McCarry’s OLD BOYS, which, like the rest of the Paul Christopher series, just absolutely blew me away. The guy’s not just a good storyteller, he hammers his prose, too. Usually you get one or the other. A sample line: She had the wary unwavering eyes of a woman who knew how attractive

The Demon Theory / Horror IQ

Finally rigged it up, here. It’s in Javascript, so hopefully your browser’s got that turned on. No cookies, though. And, the only possible glitch I can see, really, aside from not knowing the answers, is that if you’ve got your screen-resolution set too low, then things might get a little bit hinky. Which is the

Demon Theory book trailer II: The Sequel of the Remake Attacks

like I haven’t done this with every banner etc. but, anyway, yep, polished the trailer up in a few ways, and it’s here now: http://www.youtube.com/watch?v=7aVhs-0b5vE I’m leaving the old one up as well, though, for those who might have preferred it. too, am going to do one more thing (talking digiswag) for Demon Theory as

Slasherama

well, okay, Pinhead’s maybe not a true and classic slasher. but he’s got the look, anyway, and has been pretty vital to this project we call horror. was going to synch some music up with this, but have no clue how, without going the Flash-route. anyway, the bigger version’s here. as to why I killed

D-D-D-D-DMON…

I don’t know anybody who’s got their Demon Theory from Amazon or Barnes & Noble yet, but, as of today they’re both showing it’s available, or, available-ish, anyway. And, I mean, if they’re selling it, it must be real, yeah? Exist in what we all agree is an objective reality? That is, it’s not just

Devil in an Aerostar, or, The Omen (not a review)

Just because I don’t write reviews anymore. Just because they seem to use the same part of my brain I use to write. Anyway, The Omen: a remake in a year of remakes, yeah. Not quite as ‘reinterpretive’ as When a Stranger Calls and not quite as ‘faithful’ as Psycho, but, too, I’m not yet

Unrevised

quickest of quick notes: new essay up at The Cult. On revision, of all unlikely things. I mean, of all unlikely things for me to be writing about. Anyway, it’s here. and, nope, no new DEMON THEORY news in the last few, sweltering, basketball-playing, story-workshopping, dog-tying-up-only-to-have-it-chew-through-the-rope, Daily Show watching hours.

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