Another table of contents
that I’m proud and lucky and honored to be in: The Year’s Best Dark Fantasy & Horror, ed. Paula Guran.
that I’m proud and lucky and honored to be in: The Year’s Best Dark Fantasy & Horror, ed. Paula Guran.
Couple new stories up in the debut of Timber, “The Bridge” and “The Wisdom of Solomon.” Also, Juked‘s put “Snow Monsters” up in the 2011 Million Writers Award.
Couple of TOCs I’m lucky enough to be in posted today, Creatures, edited by Paul Tremblay and John Langan, and Bestiary, edited by Ann and Jeff Vandermeer.
a very cool place. I like the idea, too, of stopping at the first, you know, ‘stop.’ think it’s what I always do. and, got a story up there, “Seafood.”
from Publisher’s Weekly: The Ones That Got Away Stephen Graham Jones, Prime (www.prime-books.com), $24.95 (256p) ISBN 978-1-60701-235-1 Thirteen horror stories, most originally published between 2005 and 2010, make up Native American writer Jones’s second collection (after 2005’s Bleed into Me). Several stories feature children coming of age: in “Father, Son, Holy Rabbit,” a father and
These are, I don’t know, between fifty and ninety movie-type reviews I wrote back in 1999 or so. Pretty much the exact same few months I was first writing DEMON THEORY, yeah. Anyway, I only messed up on a couple. Stigmata‘s one of them, I think. But I got a couple right as well, maybe:
couple new stories up at/with Platte Valley Review. “Girls” and “Bulletproof.” they’re in great company, too.
Because it’s been three years, right? The last one was IM, I think. This one’s phone. And, many thanks to Joshua Chaplinsky for, on the transcribe, pulling out all my “ums” and “errs” and “[unintelligible]s,” of which there had to be legion. He even made me sound like a person who occasionally remembers he’s in
this originally posted over at the now-dead Depraved Press back in February 2008. Had completely forgotten about it, but Jesse Lawrence, the “JL” here — you’ll also find him in various acknowledgements and thanks in my books — hadn’t forgot, still had it saved in email. However, all the formatting’s gone, with this paste-across, so,
Editor’s note: The following tape is one of many confiscated from the locker of LP Deal in the back of the Fool’s Hip Bowling Alley in the Dakota Territories by Federal Agents during their investigation into the murder of tourists in the region. The publisher acquired the tapes through legal means and now has made
My third-ever self-interview, up now at Sea Minor. First-ever self-interview? Above, under “FAQ.” Second: in IRON HORSE LITERARY REVIEW a few issues ago. Next: daily. Every time I find myself in “As seen on TV”-aisle of Walgreens, after which I’ll be asking myself “Did you REALLY think that was going to work like it did
and not just because of the radiation, but because people keep talking about him, like here. Thanks to Mike Hance for the headsup.
Couple (of my) lists, one at Dzanc, one at the San Antonio Current. And, yeah, for each, I had to check, make sure Sorority Row hadn’t come out in 2010. Not that it for-sure could have edged close to Machete. But definitely maybe.
Of course it’s way after the fact for me to be writing about Piranha 3D, but if I do it later then it’ll even be more after the fact, so . . . Remember when Lou Diamond Phillips was in Bats, way back in 99 or so? An interview he did around then, he kind
[click for readability] and, first review was two-plus months ago, at OWC. buy it in time for Christmas from Prime, Powell’s, Amazon, B&N, or wherever.
Greogry Frye asks me many questions, and I answer and answer and answer, and mostly even don’t make so much stuff up. click here. also, in case you missed the It Came from Del Rio review: here.
My review’s up over at, you guessed it, The Cult. And it’s not really a review, either. Jumping off point? Also, I need a cool header like this, below; I’d silkscreen it on a t-shirt, wear it around. You maybe think I’m lying here, too.
up now at 3AM Magazine. Review by Gregory Frye, interview soon to be up as well. click here.
If only I had a cooler voice, but still, the story’s excellent: Paul Tremblay’s “We Will Never Live in the Castle,” as read by yours sometimes truly. From his new In the Mean Time collection, which I much recommend.