It’s a good time to be a slasher. Nearly twenty years ago, Scream revitalized the genre, kicked off a series of clones and also-rans—some of them quite excellent—that finally landed us at Leslie Vernon, at Tucker and Dale, at Cabin in the Woods, at You’re Next and It Follows, even accomplishing the unheard-of feat of […]
I read this first at Isleta Casino in Albequerque. Not just randomly, mongst the slots, but for a keynote-thing. Why I wrote a commencement address for that, no idea. Then Jon Davis (there at Isleta) asked me to read it for his MFA students at IAIA (click around, there’s also a chapter of Mongrels out-loud, first-time
In post-production right now. I got to swing out to Hollywood for a bit of the shooting, too. So cool to watch it all coming together.
Because I kind of insist on assigning amazing stuff for my grad workshops, I of course assigned Jeremy Robert Johnson’s Skullcrack City (my original write-up here). It was dug by all. Here’s JRJ’s answers to the questions we crowd-sourced: —To start with the ending: Is this bleak or is it hopeful? Are they (that is,
Until World War Z, I’d been hearing that same thing about the zombie. And I guess it was kind of true. A lot of fun had been had, no doubt—the bulk of it on film and in the short story—but nobody’d Tolkien’d out the zombie landscape with a story that really sang. Not until Max Brooks applied
Have we come a long way, baby? I don’t know. I’m not going to pretend to have a line on the first AI done in film or novel or story—and, after Ex Machina, no way am I going to profile myself Feed-style by entering this into a search engine—but, working from my limited set, I can
From forever ago, yes. But I’m just now stumbling onto it. And, is ’emoji’ the right word? Like, what are those little character-based happy faces people put in their texts? It’s all confusing to me. But this isn’t: The Shining, without words. Pretty cool. Wondering if I should learn whatever this language is (he said
The analogue to ‘found footage’ in fiction would be the shoebox novel: somebody drags a box out from under the bed, there’s all these clippings, let’s lay them out one after the other and thread a narrative through them. Which is to say, as Man Bites Dog and The Blair Witch Project and the rest
Read this—lived in this—two or so weeks ago, but haven’t had a spare minute at the keyboard until now, just because of what Bob Seger calls deadlines and commitments. But it’s been cycling through my brainpan this whole time. Jeremy Robert Johnson’s last book, the collection We Live Inside You, has some pretty persistent parasites popping
It’s what the new theme’s called. It’s made for showcasing cars—photographs, at least—has a cool built-in slider I can use if I set a featured image with each post. but, the drawback is that it then plants that featured image large-size at the top of every post. So, I fiddled with this, fiddled with that,
I wonder what it’s like to read this if you’re not, say, exactly forty-two. Being forty-two, however (just like Ernest Cline), this was perfect. It rewards all the obscure trivia I prize, makes being into X set of movies and Y set of comics cool. And, it even goes what’s Z for me: videogames, which
Four or five days late, but, you know, I was finishing a novel. So. Three of my best reads from 2014 weren’t actually 2014 books, as it turned out: John Scalzi’s Redshirts, Jeff Lemire’s The Underwater Welder, and Megan Abbott’s Dare Me. But, from 2014, it’s got to be Lev Grossman’s The Magician’s Land, Matt Kindt’s continuing MIND
Those are the three letters I’ve been tagging onto the end of each writing session since forever. Everybody do this? I can’t not do it. Just a way a laying claim to the blank page, like. Same way you leave your jacket on the seat in the theater, saying you’ll be right back, that this
Is a serial- or spree-killer who wears a mask and kills ‘misbehaving’ teens a slasher? If not, then what of Ghostface and fifty other killers, right? But, the slashers we know and love, they usually have a signature weapon, don’t they? Michael’s got his knife, Jason’s got his machete, Leatherface rips that chainsaw to life
tried to add The Faster, Redder Road to the menus, and it somehow broke all the secondary menus. I deleted it, but the breakage persists. So, either I’ll reinstall this WordPress or re-install the theme or nab a new theme, I suppose. And hopefully soon. But right now I’m writing a novel. Sorry for any
Not a ‘new’ book . . . yet. Just a book I’m writing right now. May never even finish it, who knows. As for when I started—tab, tab, tab—it looks like: And, not really keeping this as journal of this book or anything. I have done that once, with “Where the Camopede Roam,” but that
I’m there now. Or, I’m here: https://ello.co/sgj I like the smiley face a lot more than the birdhouse, and I like the distinct non-blueness of the whole thing so far. Feels a lot like a Tumblr, really, but I got on Tumblr like fourteen years too late. G+, though, I’m still one of the holdouts
Took TWO HOURS yesterday to go through, clean up all the broken junk over in the navigation. And there was no small amount, either, sorry. Most were the result of other sites updating this or that, which changed the URL. Meaning, I only lost four or five stories, two or three interviews, and a couple of
With slashers, I’ve always been in John Carpenter’s camp: these people aren’t getting punished for having sex, they’re getting killed while naked simply because that’s when they’re the most vulnerable, the least likely to be looking around the room. However, like Jim Rockford says, If fifty people tell you you’re drunk, then maybe it’s time
For the weekend, anyway. And, I’m thinking this is my third time in the Midland Reporter-Telegram? I showed up once when I was about twelve, though I cannot begin to suspect what for. Oh, no: maybe it was for Old Settlers Days in Stanton. And maybe it was the news, not the paper. I was
For a long time I’ve been in a Kirk/Picard situation with myself, regarding Ginger Snaps and The Howling: which do I like best? And, I know, what about An American Werewolf in London, Dog Soldiers, Bad Moon. They’re all good and vital, and contributed important stuff, but for me, it’s always come down to Ginger
mix Buzzfeed‘s “23 Things that Prove Society is Doomed” with Salon‘s “War & Peace on the Subway: How Your iPhone is Saving Literature,” then angle it through my publicists’ rose-colored glasses, and you end up with something a lot  like: 1. Sitting together and reading still counts as socializing: ↳ Via quoteinvestigator.com, once upon a time. 2. It’s
Wasn’t a clutch of eggs important last time around as well, for Godzilla? It’s cool. I mean, it shows Jurassic Park influence—’nature always finds a way’—but more than that, it suggests that in order for us to keep these science-fiction monsters believable, we’re having to apply biology to them. We’re giving them life cycles outside
The trick in adapting a novel—or anything—for the screen, it’s not about being loyal to every line or faithful to each scene exactly as it happens on the page, it’s about identifying the beating heart of the novel, and then finding a way to get it on screen such that the final effect can feel
I can’t figure why exactly slashers and musicals are something that’s been tried now twice. Once here, and once in Don’t Go In the Woods. I mean, Nazis and zombies, that just makes sense. But I can’t figure out what slashers and musicals share, exactly. And, maybe it’s not slashers in particular, even. We’ve already
